Miró's oft-quoted interest while in the assassination of painting is derived from a dislike of bourgeois artwork, which he believed was applied as a way to advertise propaganda and cultural id between the rich. Precisely, Miró responded to Cubism in this way, which by the time of his quote had https://barcelona-art-and-culture04791.bloggerchest.com/33137718/not-known-factual-statements-about-antoni-gaudí-architecture